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Category: Sequencer

AM1052 Mix Sequencer

April 7, 2026October 12, 2026 amsynths783Leave a Comment on AM1052 Mix Sequencer

The AM1052 is a simple four into one channel mixer for audio or control voltages, with ARP 2500 style control knobs. In addition we have added mute buttons for each channel, and it can be controlled via an external clock source (e.g. Behringer 1050 or 1036) or a sequencer (Behringer 1027) via an internal 12-pin […]

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961 Interface – MODS

December 23, 2024September 29, 2026 amsynths1786Leave a Comment on 961 Interface – MODS

The Moog 961 is an essential part of the Moog sequencer system and was available as part of the Sequencer Complement B (and A), which was often sold with the IIIC and IIIp. The primary use case is to convert the 960 V-trigger outputs to the S-trigger inputs for use in the Moog modular envelopes […]

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962 Sequential Switch – MODS

December 23, 2024June 2, 2026 amsynths1905Leave a Comment on 962 Sequential Switch – MODS

The Moog 962 is a very useful sequential switch module that can now be bought as a Behringer replica in Eurorack. It sets you free from 8 step sequences by creating 16 or 24 steps. Tangerine Dream used up to three “Sequencer Complement B’s”‘ in the 1970’s after acquiring two Moog IIIc synthesizers (x-Rolling Stones, […]

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AM1026 Preset Voltages

November 8, 2024November 8, 2024 amsynths3588Leave a Comment on AM1026 Preset Voltages

This 20HP module expands the capability of the Behringer 1027 sequencer by adding two additional columns of variable control voltages. The module connects to the B1027 with an included 12-way ribbon cable. The module can also be used stand alone as a source of preset voltages with manual or gated selection.  The eight steps of […]

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960 Sequential Controller – MODS

November 1, 2024January 10, 2025 amsynths2487Leave a Comment on 960 Sequential Controller – MODS

The Behringer 960 (B960) Eurorack module is a low cost and accurate replica of the Moog 960 Sequencer, which dates back to 1967. Whilst very expensive when new the Moog 960 made its way into the hands of musicians in Germany in the 1970’s as the original owners of large Moog Modulars sold them on. […]

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PPG 300 Modular – Recreated

October 22, 2024January 3, 2026 amsynths1720Leave a Comment on PPG 300 Modular – Recreated

Overview Wolfgang Palm developed the 300 series modules as a replacement for his original Moog Modular like 100 series in 1976. He re-used some of the circuits and added new front panel designs. The 300 Modular Synthesizer consisted of 17 modules, plus cabinets and keyboards. Some of the later modules are very rare, perhaps never […]

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AM1021 Sequential Switch

September 5, 2024September 26, 2024 amsynths2399Leave a Comment on AM1021 Sequential Switch

This 4HP module expands the capability of the Behringer 1027 Sequencer by adding a three channel Sequential Switch, that can generate sequences of 8, 16 or 24 steps. Whilst the Behringer 1050 can be used for the same purpose, it is a waste of a wide and feature rich module, that can be better deployed […]

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AM8171 Sequential Switch

July 22, 2024July 22, 2024 amsynths2068Leave a Comment on AM8171 Sequential Switch

The AM8171 module has four separate channels of signal gates based on a modern analog switch. Each gate can be switched on and off by the CV gate inputs or by putting the mode switch into its upper position (preview). Green low current LED’s indicate when the gate is on.     When Roland developed […]

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AM1028 Sequential Volts

July 18, 2024August 1, 2024 amsynths22482 Comments on AM1028 Sequential Volts

An 8HP wide Eurorack module that adds an extra column of eight control voltages to the Behringer 1027 Sequencer. There are outputs for both 2V and 10V ranges and green LED’s indicate the step position. The module is connected internally to the Behringer 1027 using a 12-way IDC ribbon cable. There are eight rotary potentiometers […]

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Synthanorma SQ312 Sequencer

February 4, 2022October 9, 2026 amsynths56996 Comments on Synthanorma SQ312 Sequencer

Overview The first Synthanorma analog sequencer was famously used by Klaus Schulze in the Spring of 1975 in Berlin, during the recording of his Timewind album, which was released in the August. The track Bayreuth Return uses the sequencer in a live recording to 2-track tape. Klaus explained the principles of a analog sequencer to […]

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